1、是素材的采集,这是最重要的一步,神级调色师也没办法拿一个满是噪点的360p视频调出电影质感来。这里要说的是,单反拍视频真的不是强项,但是胜在其超高的性价比,所以拍摄时有很多需要注意的方面:
a、全手动。M档,ISO手动、白平衡手动、对焦手动,觉得无法熟悉的请平时自己多练,单反用自动拍是没前途的。
b、N制的话快门速度1/60s,P制的话1/50s(简单地说就是帧速率的两倍),这是为了让单帧产生运动模糊而保证基本的画面流畅。ISO和光圈自由组合,一般以ISO尽量小为原则,这样大光圈也可以保证较浅的景深,前提是对焦要对准。
c、注意修改照片风格,风格自己到网上去搜cinestyle,这个的主要原理是把相机的机内优化全关(对比度和锐度),以达到在mov格式下保留尽量多的画面信息,方便后期调色。
d、开拍前找好角度对个白平衡(拿个白板不用我教了吧),啪啪啪,调到对应色温取好景调好曝光量,再啪啪啪,觉得合适了就可以开始拍了,一般个人习惯是宁愿暗1/3档也不愿过曝,没raw就是拉不回来。
e、佳能党要拍风景时可以考虑刷Magic Lantern固件然后开raw视频,这简直是神器啊!但是对机器对卡对工作台负担都会加重,慎用。
2、后期处理
a、软件。长片PR调色是主流,制作微电影可以考虑AE,处理起来会稍微多耗一点时间和机器。小型工作室也就AE+PR,有钱一点的FCPX+达芬奇,能实现的效果已经很丰富了。个人觉得软件都只是工具,没有必要追求最新最强的,自己用得顺手机器跑得舒服才是王道。
b、插件。Magic Bullet Suite是王道,加上软件内置的Color Correction特效和蒙版已经可以完成几乎所有的调色效果了,区别只在于调色的精细程度而已。
c、个人流程一般是RGB曲线先调到比较均衡的程度,然后开始用MBL或者Colorista调,一般是暗调R<G<B,中调R<G<B,亮调R>G>B,具体情况要看影片本身的调子来定,剩下的就是审美的问题了。
d、涉及人像的话,建议先把人像抠出来当蒙版,不是很干净的情况下做个快速模糊,然后给人像之外的地方加Grain,最后给画面上下加上黑条营造宽屏感。
e、AE和PR是很好的工作流,项目文件就可以互相导来导去没必要导出视频,尽量一次成品减少中间流程的画质损耗。
技巧:
1、构图完整且有故事性
拍电影犹如说故事,说故事的能力是人类独有的,所以大多数这类作品都会牵涉到人,无论是人的本身、人的历史或是人的痕迹。
2、画面大多数包含人元素
照片里包含了人的元素,往往能够带出更强的说故事性,那种身同感受的投入感是拍花拍草不能比拟的。
3、刻意的“留白”处理
中国的山水画里有所谓留白,留白的重点在于保留一切的可能性,可能性愈多,故事反而愈复杂。太过单纯的拍摄作品,就好像剥夺了其他人欣赏作品的权利,这不是分享,是灌输。
4、画面故意留谜团增加神秘感
除了故事性丰富,保留大环境的信息也很重要。人总爱猜猜谜,硬要把自己塞进柯南道尔的推理浪漫里。
5、画面氛围必须和主题吻合
作品构图的氛围同样重要,始终硬照跟电影不同,电影还包含了声音的资讯(不包括无声的),无论是主角的对白、闲杂的收音、背景的音乐等,都提供着大量的资讯让观察思考、探讨、反思,影响观众的思考方向,引领观众到达导演所预设的目的地。在硬照中制造所谓氛围,靠的不外乎主角的表情、背景里的陈设、色调及光暗等,让看者能够代入到当时的环境,让看者自身演释出另一段独特的故事。
6、相机焦距设置
除了完整的构图以及氛围。拍摄电影画面型摄影作品。还需要对相机进行一些设置。可能你会发现它们一般都是偏暗、白平衡不准确、饱和度偏低等等。这些都可以按照各位 摄影师的个人爱好去设置。
7、在照片上下加两条黑边
这也是十分重要的一个细节。当然,加两条黑边再变16:9的比例,不一定会让一张照片变得很有味道,变得很有电影感。但至少。加上以后。就开始向电影胶片方向发展了。
1, the collection that is material, this is the most important one step, simple sense comes the film of 360p video v that division of divine class mix colors also does not have method to take is dot of a confusion of voices completely. What should say here is, sheet sends video instead is not a strong point really, but get the better of in its superhigh sex price is compared, film so the respect that needs an attention more very much from time to tome:
A, complete hand is moved. M archives, ISO hand is moved, Bai Pingheng hand is moved, move to anxious hand, feel to cannot be asked familiarly at ordinary times oneself are much more experienced, odd antistrophe is patted automatically do not have a future.
The 1/60s of word shutter speed that B, N makes, the word 1/50s that P makes (saying simply is frame rate double) , this is to let odd frame generation motion blurs and make sure fundamental picture is fluent. ISO and aperture freedom are combined, general with ISO as far as possible small for the principle, so big aperture also can assure more shallow depth of field, premise is right anxious want to aim.
C, attention alters photograph style, him style goes to the net search Cinestyle, optimize inside the machine that this main principle is a camera close completely (contrast and acutance) , withhold in order to achieve below Mov format as far as possible much picture information, mix colors of convenient later period.
D, good point of view searchs to be opposite before patting a Bai Pingheng (take white board need not I taught) , bang bang, tone arrives corresponding and colour temperature take light exposure of good view mix up, again bang bang, feel appropriate to be able to begin to pat, ordinary individual habit is to aux would rather dark 1/3 archives also has not wished to expose to the sun, do not have Raw to be pulled namely do not come back.
E, beautiful can when the party should take a view, can consider to brush Magic Lantern firmware to open Raw video next, this is a god simply implement ah! But meet to blocking pair of workbench burdens to the machine aggravating, careful with.
2, later period processing
A, software. Mix colors of full-length film PR is the mainstream, make small film can consider AE, processing rises meeting a little much waste time a bit time and machine. Small-sized atelier also with respect to AE+PR, a bit richer FCPX+ Da Vinci, the result that can achieve already very rich. The individual feels software is a tool only, newest without necessary pursuit the strongest, he run comfortably with suitable hand machine just is kingcraft.
B, plug-in unit. Magic Bullet Suite is kingcraft, the Color Correction specially good effect that adds the buy inside software and masking can have been finished almost all mix colors effects, the careful degree that distinction depends on mix colors only just.
Flow of C, individual is RGB curve moves more balanced rate first commonly, begin to use MBL next or Colorista attune, it is shadow R<G<B commonly, r<G<B is moved in, highlight R>G>B, the cadence that particular case wants to see film itself will decide, those who remain is aesthetic problem.
The D, sentence that involves figure, the proposal comes out figure dig or dig out with a finger or sth pointed to become first masking, either a fast faintness is done below very clean circumstance, add Grain to the place besides figure next, add up and down to the picture finally black build wide screen to feel.
E, AE and PR are very good job flows, project file can guide each other will guide go doing not have necessary derive video, as far as possible the picture qualitative loss that finished product reduces intermediate flow.
Skill:
1, composition of a picture is whole and have story sex
Film is just as narrate, the ability of narrate is the mankind is particular, so this kind of work meets great majority drag in arrives person, no matter be the history of the person's itself, person or the trace that are a person.
2, picture great majority contains person element
The person's element was contained in the photograph, often can take stronger narrate sex, the sort of devoted sense that feels together personally pats a flower to pat grass to cannot be likened to.
3, sedulous " stay white " processing
Call somewhat in Chinese landscape painting stay white, leave white key to depend on preserving all possibility, possibility heals much, the story heals instead complex. Too pass to film purely work, seemed to strip the right of work of someone else appreciation, this is not to share, it is to engraft.
4, the picture leaves mystery group intentionally to add secret touch
Abound besides story sex, the information that withholds big environment is very important also. The person always loves to guess guess, extortionary in the inferential romance that fills in oneself into Na Daoer stalking or branch.
5, picture atmosphere must be mixed thematic be identical
The atmosphere of work composition of a picture is likewise important, illuminate forcedly from beginning to end differ with the film, the film still contained audio information (do not include breathed) , no matter be the music of the reception of a radio of the dialogue of leading role, without fixed duties, setting, offerring much information to let observation think, discuss, think over, the reflection that affects an audience direction, lead an audience to reach the destination that director institute sets beforehand. Alleged atmosphere is created in be illuminated forcedly, lean nothing more than the display in the expression of leading role, setting, tonal reach light dark etc, the person that let look can take the place of the environment at that time, oneself of the person that let look acts commentate give another paragraph of distinctive old practice.
6, setting of camera focal length
Besides whole composition of a picture and atmosphere. Film work of movie picture photography. Still need to have a few settings to camera. You can discover the possibility they are to slant commonly on the low side of not accurate, degree of saturation waits dark, Bai Pingheng a moment. These are OK according to everybody the individual hobby of cameraman is installed.
7, impose two black limits up and down in the photograph
This also is a very important detail. Of course, add two black edges to change again 16:9scale, not regular meeting lets a piece of photograph become very sapid, become have film feeling very much. But at least. After be being added. Began to develop to cinefilm direction.